Every photographer has a time of day they would choose if they could only ever shoot at one. Mine is the last hour before sunset.
What golden hour actually is
It is the hour or so before sunset, and it is not really golden. It is softer than that.
When the sun drops low, its light has to travel through more atmosphere to reach you. That spreads it out, warms it, and takes the hard edges off everything. Shadows stretch out long and forgiving. Skin stops looking like skin under a flash and starts looking like skin in a memory.
Then there is the stretch just after the sun goes down, when the whole sky turns blue and even. Photographers call it blue hour. I think it is the most underrated half hour in this job, because by then the sun is gone, the children have stopped performing, and everybody finally relaxes.
It is the trees, mostly
Photograph a family in the middle of an open field and you get beautiful light on its own. Photograph them with a stand of gums along one edge and you get beautiful light plus shadow. My favourite is both, and I will offer you sessions in either.
Rouse Hill Regional Park, and why it is my home ground
If you have looked through my work, a lot of it was taken here. It is close to home, so I know it the way you know your own backyard, and I think that shows.
What the park gives you is space. It is broad and mostly flat, so the light arrives without interruption and stays even right across the frame. That is exactly why it is my first suggestion for most sessions if you want that dreamy field backdrop. Lots of space, nobody standing in somebody else's shadow. Very few places in Sydney make that easy.
On a still evening the long grass holds its colour after the sun has gone, which buys you another ten or fifteen minutes when you need them. And there is nothing to navigate. You can park near the main tracks, no steps, nobody needing help over anything. Grandparents can walk out into the middle of it and stand comfortably.
I have photographed toddlers running laps here, babies asleep in a carrier, and one session with four generations in the same frame. It has not let me down yet. Maternity, newborn, family, this is a beautiful place for it. It's perfect at any time of the day, but it's magical at golden hour.
Turkey's Nest, Beaumont Hills
The one I go to when I want the sky.
It sits on a hill overlooking Rouse Hill, which means height and horizon rather than trees and canopy. I have not found better sunsets anywhere in the Hills, and the whole place invites you to sit down and watch one.
That is unusual. At most locations I am moving a family around, chasing a gap in the trees, working for the light. Here a lot of the work is already done, and you get to enjoy it.
It is a sitting location rather than a walking one, which makes it easy on anyone with little children and on grandparents who would rather not be on their feet. Family sessions here feel unhurried in a way the others do not.
I have photographed my own family here. That is the most honest recommendation I can give a location.
A little paperbark grove, Beaumont Hills
This one does not get a name, and I hope you will forgive me for it.
It is a small stand of paperbarks in Beaumont Hills, the kind with papery trunks that peel in strips, and we normally have it to ourselves when photographing families here.
What it gives you is light coming in sideways through the trunks rather than over the top, so instead of one wide wash of gold you get thin bands of it falling through, with deep shade in between. It is the closest thing I have to a secret.
Toddlers love it. There is something about trunks you can walk between that turns a spot into a hideout. At my last session there, a toddler spent most of the time running laps between two trees, and every frame from it was usable.
It is the one location I would not hand over in a list. If you book a session with me, ask me where it is, and I will tell you.
The swing bridge walk, Cherrybrook
The one that looks like bushland without being hard to get to.
Come in from the Cherrybrook side and it is a short, easy walk, which means it works for small children and for anyone who is past thirty weeks pregnant. I do not suggest tricky locations to maternity clients, and I would not send someone that far along into anything awkward.
What you get for that easy access is a completely different look from everywhere else on this list. The canopy breaks the light up, so you are looking for gaps, patches and shafts coming through the trees rather than one clean wash of gold. Find one, put a mother and her toddler in it, and the result looks like something out of a film.
I have photographed two maternity sessions here, one of them with a toddler in tow. Both felt calm, which is the highest compliment I can pay a location.
When golden hour actually happens here
This catches people out, because it moves a lot through the year. Roughly:
- Summer, December to February: about 6:45pm to 8:15pm
- Autumn, March to May: about 5:00pm to 7:00pm
- Winter, June to August: about 4:00pm to 5:30pm
- Spring, September to November: about 5:30pm to 7:30pm
Two things worth knowing about that list.
Daylight saving shifts it. The clocks change on the first Sunday in October and the first Sunday in April, and everything moves an hour on those weekends.
And in the middle of summer, golden hour is after most toddlers' bedtime. A seven-thirty sunset is beautiful and completely useless if your two-year-old goes down at seven. It is the main reason I point families with small children towards spring and autumn, and families with older kids towards summer.
So if you have small children and you want that light, aim for March, April, September or October. Or accept an earlier start and we will use the soft light before the real golden hour, which is a very good second prize.
If you want the light
I photograph maternity, newborn, family and motherhood sessions across the Hills District, and most outdoor sessions are planned around golden hour for exactly the reasons above.
If you have a spot that means something to you, tell me and I will work out whether the light does something lovely there. And if you do not, I have four favourites I am always happy to share.